YAMAHA 01v96v2
Digital Mixing Console 24-bit, 96kHz Performance

Version Two software available in Sept. 04.

Also included STUDIO MANAGER application for Windows 2000/XP and Mac OS X platforms.

larger size

euro 2,000

Version Two software includes 50 new features, including Studio Manager V2, expanded DAW control, and the capability to run Yamaha's new Add-On Effects packages. 01V96V2 is compatible with MAC OSX & Windows 2000/XP platforms

Features of 01V96 V2 software
ADD-ON EFFECT Capability
You can use the following optional effect programs (and more to come in future.)

• AE-011 Channel Strip Package (Comp276/S, Comp260/S, EQ601)
• AE-021 Master Strip Package (Open Deck: Swiss'70/'78/'85, American'70)
• AE-031 Reverb Package (REV-X Hall, REV-X Room, REV-X Plate)

Advanced DAW Integration
Advanced DAW Control Protocol
(Nuendo / CubaseSX control from Selected Channel)

Broadcast Applications
Pre Fader SOLO with PAN
Fader/Solo Release

Live SR/Theater Applications
Fader Group Master
Mute Group Master
Instant Group Assignment with User Defined Keys
AUX Pre Fader Pre ON (AUX Pre Point)
Instant AUX Monitoring (AUX/SOLO Link)
Global Paste to Multiple Scenes

Studio Manager Version2
Overall New Features
Multiple Hardware support
Multiple Editor support
Multiple Window support
Window open/close control from the console
Multiple Undo capability

Patch Editor Window
Resizable Patch window
Cursor based operation
Effect Patch window showing both inputs and output to/from each effect block
List and edit Port names

Layer Window
Hide/show blocks of parameters
(Master fader block to be separated)
User Assignable Layer with Fader Group Master
Longer stroke meters
Jump to Selected channel window by double-clicking Channel ID
Display numeric value of fader level

Meter Window (NEW)
All channel meter at a glance

Library Window
Simultaneous operation of multiple scenes/libraries
Direct Recall from HDD
Patch Library Link to Scene Memories

STUDIO MANAGER Version 2 Software Included
The 01V96 comes supplied with Yamaha’s STUDIO MANAGER Version 2 software application for both Macintosh and Windows platforms. In the newly upgraded Version 2, the STUDIO MANAGER has developed into a total management software. In addition to the features of its predecessor, including complete access to all parameters for either on-line or off-line control, as well as the program’s visual interface which makes it easy to relate on-screen controls to the corresponding console functions, the STUDIO MANAGER Version 2 provides a number of enhancements that make this program more flexible and powerful. It has become a multi-client platform that can accommodate, for example, cascaded 02R96 and / or 01V96, and various Yamaha editors such as the SPX2000, to realize total recall of settings in the connected equipment. By simply connecting your personal computer to the TO HOST port (USB), you can manage data entirely through your computer. You can also open/close STUDIO MANAGER Version 2 windows from the 01V96.

Editing windows with enhanced controllability

With the upgrade to Version 2, a number of new windows are provided. These include the "Master Fader Window" that shows only the master fader, and the "Meter Window" that shows meters for all 32 channels. In the "Layer Window," the master fader block now can be separated, while the fader level is shown by a numeric value as well as by graphic display. In the "Selected Channel Window," the gate type indication and long-stroke channel meter are added. The "Patch Edit Window" is now clearer to see and can be resized as desired, while it also shows both inputs/outputs to/from each effect block. In the "Library Window", you can now perform simultaneous operation of multiple scenes/libraries. The STUDIO MANAGER Version 2 also integrates the "Effect Editor Window" for controlling ADD-ON EFFECTS (optional). Of course, settings for the main mixer functions can also be made off-line.

Selected Channel Window
Layer Window
Effect Patch Window

Master Fader Window
Meter Window

Surround Editor Window
Patch Editor Window

Yamaha has various flagship digital mixing consoles (PM1D for sound reinforcement, broadcast, and theater; the DM2000, DM1000, and 02R96 for sound and music production); the 01V96 offers the same performance in a smaller, more affordable format useful for the home or smaller professional production studio. Still, it has a maximum 40-channel input capacity and can be cascaded for applications that require more. And, of course, 24-bit/96-kHz operation is standard. Mixer functions and effects are all inherited from the top-of-the-line DM2000. Now the 01V96 has been upgraded to Version 2, which features a number of improvements and enhancements in both functions and operation.

Mixing Versatility
24 Analog & Digital Channel Inputs. Expandable to 40
Right out of the box the 01V96 gives you 16 analog channel inputs – 12 with high-performance microphone head amplifiers – and eight digital channel inputs via a built-in ADAT optical interface.
All the 01V96 input connectors are top-mounted for easy access in any application. The first 12 analog channels feature high performance head amplifiers for microphone or line input that deliver a pristine signal to the console’s precision 24-bit/96-kHz A/D converters. The 48-volt phantom power for condenser microphones is switchable in 4-channel groups, while trim controls and pad switches facilitate optimum level matching with the source, and channel inserts make it easy to insert external analog processing gear into the pre-A/D signal path.

Inputs 13 through 16 accept balanced/unbalanced line-level signals singly (each input has an independent trim control) or in pairs for stereo input.

When you need more, Yamaha offers a range of Mini-YGDAI expansion cards that can simply be plugged into the 01V96 expansion slot to provide additional I/O in a variety of formats: ADAT, AES/EBU, TDIF or analog.

20-bus Configuration
The 01V96 offers a main stereo program bus, eight individual mixing buses, two solo buses, and eight auxiliary buses – a total of 20 in all. This gives you plenty of signal-routing options to adapt to just about any mixing requirements.

Surround Panning
Surround is becoming an important part of modern sound production. The 01V96 features 6.1, 5.1 and 3-1 surround panning modes so you can create surround mixes without having to sacrifice features or performance in other areas.


Advanced Input Functioning
Channel Strips With Precision 100-mm Motor Faders
The 16 channel strips on the 01V96 panel provide access to the most essential operations for the corresponding channels. Depending on the currently selected layer, the channel strips will control channels 1 through 16, channels 17 through 32, or the eight AUX sends and eight buses (the "Master Layer"). Also, the channel faders will function according to the settings in the FADER MODE section. In addition to a 100-millimeter motor fader, each channel strip includes a channel ON/OFF key, a SOLO key, and a SEL key that assigns the channel as the console’s "selected channel". Detailed panning and EQ control for the currently selected channel is available via the SELECTED CHANNEL controls. The master STEREO fader is also a 100-mm motor type, with its own ON and SEL keys.

Selected Channel Controls
The SELECTED CHANNEL controls include the panning and EQ controls for the currently selected channel, with analog-style buttons and knobs for direct, easy access to the parameters. Need to adjust the high-mid frequency a little? Just tap the HIGH MID key and turn the FREQUENCY knob until you get the sound you want.
Digital Patching
Input Patch
All available inputs, outputs, effects, and channel inserts can be assigned to any of the console’s channels or outputs via the 01V96’s digital patching system. For example, any of the effect processors can be assigned to an auxiliary bus for send-type operation, or inserted directly into any input channel as required. A direct out function also allows the signal from any of the input channels to be routed directly to any digital or analog output. The eight auxiliary buses can also be patched to anywhere in the system. Centralized control means you’ll never have to run around to physically re-patch cables whenever you need to reconfigure the system, while patch setups you might want to use again can be stored in the 01V96 – patch library – for instant recall at any time.

Advanced Solo Functions
When the Fader Solo Release function is active, touching any fader releases the current "solo"ed channel(s). In addition, the Pre-fader with Pan Mode allows you to monitor the post-pan pre-fader signal.

Instant Aux Send Solo Monitoring
When the AUX/SOLO LINK is on, the AUX 1 through 8 keys enable you to solo or unsolo Aux Sends without selecting the Master layer. This is convenient when you want to solo or unsolo Aux Outs while controlling the Aux Sends from the Input Channels.

Effects & Advanced User Interface
Internal Effects Fully Support 96-kHz Processing
01V96 features built-in 24-bit/96kHz effect processors including a comprehensive range of 96-kHz compatible stereo effects in the 01V96. You can use two effects simultaneously at 88.2/96-kHz, and up to four effects at lower sampling frequencies.
Compression, Gating, EQ and Delay /452 milliseconds, 96 kHz mode)
All input channels on the 01V96 feature independent compression and gating/ducking processors for dynamics control. All bands on the 4-band parametric channel equalizers are fully sweepable from 20 Hz to 20 kHz, with bandwidth variable from 0.1 to 10 and a ±18dB gain range for equalization flexibility. Even the stereo bus, eight mix buses, and eight aux buses have individual compression and EQ.


Optional ADD-ON EFFECTS can be added to the original collection of preset effects. The available ADD-ON EFFECTS packages include the Channel Strip Package which contains compressor and EQ modellings, the Master Strip Package which includes modellings of "good old" analog tape decks, the Reverb Package which includes the latest REV-X algorithm reverb and more. You can edit these effects from the 01V96, as well as from your personal computer via the graphic user interface of STUDIO MANAGER Version 2. The combination of the 01V96 Version 2 and ADD-ON EFFECTS offers a totally integrated production environment which completes all effect processing only with on-board effects.

Advanced Layer and Bus Operation
Fader Mode
The FADER MODE keys allow the 01V96 faders to be instantaneously switched between fader and auxiliary level control. Since the faders feature fast, precise motor-drive mechanisms, they immediately respond by moving to the appropriate settings for the selected mode.
The 01V96 has 17 physical 100-millimeter motor faders. The first 16 can be instantly switched to handle input channels 1 through 16, 17 through 32, auxiliary sends 1 through 8 and buses 1 through 8, or user-assignable configuration via the console’s LAYER switches.

In the user-assignable layer, a new added feature in version 2, you can create a mixed fader configuration of input and output channels, or you can use the faders as Fader Group Masters. There’s also a ST IN layer switch that switches between the stereo 1/2 or 3/4 inputs for the stereo layer cont

Fader/Mute Group Master function
From a group master fader, you can simultaneously control the overall level (input or output) of slave faders assigned to the master fader, while maintaining the relative balance of channel levels. In addition, a group master fader can be assigned to a fader in the user assignable layer.

The Mute Group Master function is also available with Version 2. By assigning a User Defined Key as a Mute Group Master switch, clicking the key mutes or unmutes all input or output channels in the Mute group.

Scene & Memory
Scene Memory
Complete console setups can be memorized and instantly recalled via the 01V96 SCENE MEMORY controls. Memory is provided for up to 99 scenes. In addition to recalling scenes from the panel controls you can recall them remotely via MIDI program change messages, providing a handy degree of automation capability. The current scene number – 01 through 99 – is shown on the LCD panel. Additional scene memories can be managed via a computer running the supplied STUDIO MANAGER software.

With version 2, you can copy and paste channel or parameter settings from the current scene into other scenes. This feature can be useful if you have already programmed several scenes, but want to edit certain parameters in all scenes.

Enhanced User Interface
Large LCD Panel
LCD Panel
The new 01V96 display is a high-resolution 320 x 240 dot LCD panel that provides easy visual access to all of the consoles functions and parameters. Many parameters are displayed graphically so you can see what’s happening at a glance – EQ curves and compression parameters are especially "readable" in this format.

Display Access
The DISPLAY ACCESS keys determine which type of data will be shown on the LCD panel – a total of 12 selectable categories. This approach minimizes the need to scroll through on-screen lists when you need access to a particular type of data.
Data Entry
Large cursor, INC/DEC, and enter keys are complemented by a data entry dial that lets you spin in desired values quickly and easily. The data entry dial also doubles as a shuttle/scrub dial for recorder or DAW control.

Expandable Data Libraries
Setting up EQ, compression, and other parameters for a mix from scratch can be a daunting task, so Yamaha has provided an extensive selection of presets in a range of "libraries" that can simply be selected and used unmodified, or edited to suit specific requirements. Libraries are provided for effects, compression, gating, EQ, I/O patching, and channel setups. Of course, your own setups can be added to the libraries for instant recall whenever they are needed.

User Defined Keys
These 8 keys can be assigned to control any functions you choose. You could, for example, use them to recall input patch setups, to arm MTR tracks for recording, or to handle locator functions. And, when the REMOTE layer is selected, the USER DEFINED KEYS are automatically assigned to Pro Tools control functions by default.

As a new feature with Version 2, the Instant Group Assignment function enables you to also use these keys to quickly set up fader groups and mute groups.
Newly Enhanced Integrated DAW Control
The 01V96 has been designed to seamlessly integrate with leading digital audio workstations to create a complete production and mixing environment. Extensive support is provided for Digidesign’s Pro Tools system as well as Steinberg’s Nuendo 2.0 and Cubase SX – for full control of mixing and processing parameters by using the 01V96 selected channel section, as well as transport/track-arming control and access to editing functions – directly from the 01V96 control surface. There’s also a "General DAW" mode that provides compatibility with other workstations.

I/O Facilities
Rear Panel
The rear panel is home to balanced analog stereo and monitor outputs as well as four balanced "omni" outputs. The optical IN and OUT connectors for the 01V96’s built-in ADAT interface are also located on the rear panel. There are also digital 2-track inputs and outputs featuring coaxial connectors. On-board sample rate conversion allows CD players and other digital sources connected to the digital input to be monitored or routed to an input channel without having to be synchronized to the system clock. A range of synchronization and control options are available via word clock inputs and outputs, MIDI connectors, and a USB "TO HOST" connector which can be used for computer control via the supplied Studio Monitor software. The rear panel also has an expansion slot which will accept a wide range of Yamaha mini-YGDAI expansion cards that can add up to 16 additional channels in a variety of formats.

Built-in ADAT Optical Interface
The 01V96 comes with an industry-standard ADAT optical digital I/O interface built right in – no options necessary. The ADAT "Lightpipe" optical I/O is standard on a wide range of current digital sound gear, so you can simply plug in via optical cables for 8 digital inputs and 8 digital outputs that will handle your digital signals without compromise. Additional optical I/O capacity can be added via the 01V96 expansion slot, as necessary.

01V96 Cascade Link
Cascade In Patch
When you really need high capacity – particularly for sound reinforcement applications – the 01V96 offers "01V96 Cascade Link" capability that allows two 01V96 units to be cascaded to create up to an 80-channel mixing system at an affordable price.
At Home In Any Application
Computer-based 96-kHz Recording
With an audio interface and computer, the 01V96 can record at a 96-kHz sampling rate, while digital audio signals are transferred via the audio interface. Control of the DAW transport, as well as mixer parameters, is performed by simple USB connection between the 01V96 and computer.

Sound Reinforcement
Sound reinforcement applications generally require much more input capacity than studio production. If a single 01V96 won’t do it, try cascading two 01V96s – you now have up to 80 input channels to handle all but the biggest sound reinforcement applications. The built-in dynamics and effects can be a great advantage in this type of application, too.

Connection with 96-kHz Recorders & Workstations
Cascade In Patch
Although the 01V96 handles 96 kHz audio as standard, most of the currently available digital recorders and workstations can handle 96 kHz audio only in double channel mode (using two tracks to make one). In this configuration the 01V96 uses one channel per (96-kHz) track, but twice the number of I/O connections must be used. MY8-AT/TD/AE cards work in double channel mode to handle 16 channels of 44.1/48-kHz audio or up to 8 channels of 96 kHz audio in double channel mode. With the latest equipment that handles 96-kHz audio as standard (in double speed mode like the 01V96) you can make standard connections using the MY8-AE96 card. The MY8-AE96 card can work either in double speed or double channel mode.

01V96V2 applications

larger size

Number of scene memories 99
Sampling Frequency Internal 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
External Normal rate 44.1 kHz -10% - 48 kHz + 6%
Double rate 88.2 kHz -10% - 96 kHz + 6%
Signal Delay 1.6 ms CH INPUT to STEREO OUT (@Sampling frequency = 48 kHz)
0.8 ms CH INPUT to STEREO OUT (@Sampling frequency = 96 kHz)
Fader 100mm motorized x 17
Total Harmonic Distortion*
Input Gain=Min.
0.05% 20 Hz to 20kHz @+14 dB into 600Ω
0.01% 1kHz @+24 dB into 600Ω
(@Sampling frequency = 48 kHz)

0.05% 20 Hz to 40kHz @+14 dB into 600Ω
0.01% 1kHz @+24 dB into 600Ω
(@Sampling frequency = 96 kHz)
Frequency Response CH INPUT to STEREO OUT
0.5, -1.5 dB 20 Hz – 20 kHz @ + 4 dB into 600Ω(@Sampling frequency = 48 kHz)
0.5, -1.5 dB 20 Hz – 40 kHz @ + 4 dB into 600Ω(@Sampling frequency = 96 kHz)
Dynamic Range
(maximum level to noise level)
110 dB typ. DA Converter (STEREO OUT)
105 dB typ. AD+DA (to STEREO OUT) @FS = 48 kHz
105 dB typ. AD+DA (to STEREO OUT) @FS = 96 kHz
Hum & Noise**
Input Gain = Max.
Input Pad = 0dB

Input Pad = 0dB
Input Sensitivity = - 60dB
-128dB equivalent input noise
-86dB residual output noise STEREO OUT
-86dB (90dB S/N) STEREO OUT
STEREO fader at nominal level and all CH INPUT faders at minimum level
-64dB (68dB S/N) STEREO OUT
STEREO fader at nominal level and one CH INPUT fader at nominal level
Maximum Voltage Gain 74dB CH INPUT (CH1-12) to STEREO OUT/OMNI (BUS) OUT
74dB CH INPUT (CH1-12) to OMNI (AUX) OUT (via pre input fader)
Crosstalk (@1kHz)
Input Gain = Min.
80dB adjacent input channels (CH1-12)
80dB adjacent input channels (CH13-16)
80dB input to output
Power Requirements U.S/Canada 120V 90W 60 Hz
Others 220–240V 90W 50/60 Hz
Dimensions 430(W) x 540(D) x 150(H) mm
Net Weight 33.6 lbs
Operating free-air temperature range 10-35 oC
Storage temperature range -20-60 oC
Accessories AC Cable, CD-ROM (STUDIO MANAGER)
Options Digital interface card (MY16, MY8, MY4 series), RACK MOUNT KIT: RK1
*Total Harmonic Distortion is measured with a 6 dB/octave filter @80 kHz.
** Hum & Noise are measured with a 6 dB/octave filter @12.7 kHz; equivalent to a 20 kHz filter with
infinite dB/octave attenuation.

Number of factory presets Number of user libraries
Effect libraries (EFFECT1-4) 44 76
Compressor libraries 36 92
Gate libraries 4 124
EQ libraries 40 160
Channel libraries 2 127
Input patch libraies 1 32
Output patch libraires 1 32
• Specifications and appearance subject to change without notice.
• All trademarks and registered trademarks are property of their respective owners.
Windows® is a trademark of Microsoft Coporation.
Macintosh® is a trademark of Apple Computer, Inc.
Nuendo® is a trademark of Steinberg Media Technologies AG.
Pro Tools® and Digidesign® are trademarks of Avid Technology Inc.
Adat is trademark of Alesis Corporation.
Tascam, TDIF are trademarks of Teac Corporation.

For Use
Input Level Connector
Sensitivity*1 Nominal Max. before
1- 12
0 -60dB 3kΩ 50-600Ω
Mics &
-70dB(0.245mV) -60dB(0.775mV) -40dB(7.75mV) A:XLR-3-31 type

B:Phone Jack (TRS)
-16dB -26dB(38.8mV) -16dB(123mV) +4dB(1.23V)
20 -6dB(388mV) +4dB(1.23mV) +24dB(12.28V)
CH INPUT 13-16 -26dB 10kΩ 600Ω
-36dB(12.3mV) -26dB(38.8mV) -6dB(388mV) Phone Jack (TRS)
+4dB -6dB(388mV) +4dB(1.23V) +24dB(12.28V)
CH INSERT IN 1-12 10kΩ 600Ω
-6dB(388mV) +4dB(1.23V) +24dB(12.28V) Phone Jack(TRS)
2TR IN ANALOG (L, R) 10kΩ 600Ω
-10dBV(316mV) -10dBV(316mV) +10dBV(3.16V) RCA Pin Jack
*1. Sensitivity is the lowest level that will produce an output of + 4 dB (1.23 V) or the nominal output
level when the unit is set to maximum gain.(all faders and level controls are maximum position.)
*2. XLR-3-31 type connectors are balanced. (1 = GND, 2 = HOT, 3 = COLD)
*3. Phone jacks are balanced. (Tip = HOT, Ring = COLD, Sleeve = GND)
*4. CH INSERT IN/OUT phone jacks are unbalanced. (Tip = OUTPUT, Ring = INPUT, Sleeve = GND)
• In these specifications, when dB represents are specific voltage, 0 dB is referenced to 0.775 Vrms.
• For 2TR IN levels, 0 dBV is referenced to 1.00 Vrms.
• All input AD converters (CH INPUT 1–16) are 24bit linear, 128times oversampling (@fs = 44.1, 48
• +48 V DC (phantom power) is supplied to CH INPUT 1–12 XLR type connectors.
• 3 PHANTOM + 48 V switches CH1–4, 5–8, 9–12 turn on the phantom power for inputs 1–4, 5–8,
9–12 respectively.
Source Impedance
For Use
Output Level Connector
Nominal Max.
150Ω 600Ω
+4dB(1.23V) +24dB(12.28V) XLR-3-32 type
150Ω 600Ω
+4dB(1.23V) +24dB(12.28V) Phone Jack (TRS)
150Ω 600Ω
+4dB(1.23V) +24dB(12.28V) Phone Jack (TRS)
OUT 1-12
600Ω 10kΩ
+4dB(1.23V) +24dB(12.28V) Phone Jack (TRS)
10kΩ 600Ω
-10dBV(316mV) +10dBV(3.16V) RCA Pin Jack
PHONES 100Ω 8Ω Phones 4mW 25mW Stereo Phone Jack
(TRS) (Unbalanced)*4
40Ω Phones 12mW 75mW
*1. XLR-3-32 type connectors are balanced. (1 = GND, 2 = HOT, 3 = COLD )
*2. Phone jacks are balanced. (Tip = HOT, Ring = COLD, Sleeve = GND )
*3. CH INSERT IN/OUT phone jacks are unbalanced. (Tip = OUTPUT, Ring = INPUT, Sleeve = GND)
*4. PHONES stereo phone jack is unbalanced. (Tip = LEFT, Ring = RIGHT, Sleeve = GND)
• In these specifications, when dB represents are specific voltage, 0 dB is referenced to 0.775 Vrms.
• 2TR OUT [L, R], 0 dBV is referenced to 1.00 Vrms.
• All output DA converters are 24 bit, 128 times oversampling (@fs = 44.1, 48 kHz).

Terminal Format Data Length Level Connector in Console
2TR IN DIGITAL IEC-60958 24 bit 0.5 Vpp/75Ω RCA Pin Jack
*1. ALESIS® Proprietary Multichannel Optical Digital Format
Terminal Format Data Length Level Connector in Console
Consumer use
24 bit *2 0.5Vpp/75Ω RCA Pin Jack
*1. channel status of 2TR OUT DIGITAL
type: linear PCM
category code : Digital signal mixer
copy prohibit : NO
emphasis : NO
clock accuracy : Level II (1000 ppm)
sampling rate : depends on the internal configuration
*2. dither : word length 16/20/24 bit
*3. ALESIS Proprietary Multichannel Optical Digital Interface Format.
Terminal Format Level Connector in Console
TO HOST USB USB 0 V – 3.3 V B type USB connector
MIDI IN *1 MIDI - DIN Connector 5P
OUT MIDI - DIN Connector 5P
THRU MIDI - DIN Connector 5P
WORD CLOCK IN - TTL/ 75 Ω BNC Connector
OUT - TTL/ 75 Ω BNC Connector
*1. MIDI IN can use as TIME CODE IN MTC.

ADD-ON EFFECTS Yamaha introduces the unique and valuable effect programs specifically designed for the Digital Consoles.
Y96K - NEW! 96kHz plug-in DSP card
MY16-mLAN - NEW! 16-channel digital audio and MIDI interface on mLAN (IEEE1394)
MY16AT 16-channel ADAT I/O
MY16AE 16-channel AES/EBU format I/O
MY16TD 16-channel TDIF format I/O
MY8AD96 24-bit, 96 kHz eight-channel line-level analog input card (25-pin D-sub connector)
MY8AE96 Eight-channel AES/EBU digital format I/O (25-pin D-sub connector)
MY8DA96 24-bit, 96 kHz eight-channel analog output card (25-pin D-sub connector)
MY8AE96S Eight-channel AES/EBU digital format I/O with sample rate conversion. (25-pin D-sub connector)
MY8AE Eight AES/EBU digital format I/O on a 25-pin D-Sub connector
MY8AT Eight ADAT digital format I/O (optical connectors)
MY8TD Eight TDIF digital format I/O (25-pin D-Sub connector)
MY8AD24 Eight 24-bit analog inputs on balanced 1/4" connectors
MY4AD Four 24-bit analog inputs on XLR connectors
MY4DA Four 20-bit analog outputs on XLR connector
Y56K Waves Plug-in Effects Card
AP8AD Eight Apogee 24-bit analog inputs (25-pin D-sub connector)
AP8DA Eight Apogee 24-bit analog outputs (25-pin D-sub connector)
RK1 Rack Mount Kit

Mini-YGDAI card specifications
Model Function Input Output
Format Reso-lution Frequency No. of avail-able cards Note
MY16-AT Digital I/O 16 16 ADAT 24 bit 44.1/48 kHz 1 Can handle 24 bit/96 kHz by double channel mode
MY16-AE Digital I/O 16 16 AES/EBU 24 bit 44.1/48 kHz 1 Can handle 24 bit/96 kHz by double channel mode
MY16-TD Digital I/O 16 16 TASCAM 24 bit 44.1/48 kHz 1 Can handle 24 bit/96 kHz by double channel mode
MY16/mLAN mLAN Interface 16 16 IEEE1394 24 bit 44.1/48 kHz 1 Maximum 5 Nodes can handle 24bit/96kHz by double channel mode
MY8-AD96 ANALOG IN 8 - - 24 bit 44.1/48/88.2/96 kHz 1
MY8-DA96 ANALOG OUT - 8 - 24 bit 44.1/48/88.2/96 kHz 1  
MY8-AE96S Digital I/O 8 8 AES/EBU 24 bit 44.1/48/88.2/96 kHz 1 Sampling Rate Converter for input
MY8-AE96 Digital I/O 8 8 AES/EBU 24 bit 44.1/48/88.2/96 kHz 1  
MY8-AT Digital I/O 8 8 ADAT 20 bit 44.1/48 kHz 1 Can handle 24 bit/96 kHz by double channel mode
MY8-TD Digital I/O 8 8 TASCAM 24 bit 44.1/48 kHz 1 Can handle 24 bit/96 kHz by double channel mode
MY8-AE Digital I/O 8 8 AES/EBU 24 bit 44.1/48 kHz 1 Can handle 24 bit/96 kHz by double channel mode
MY4-AD ANALOG IN 4 - - 24 bit 44.1/48 kHz 1  
MY4-DA ANALOG OUT - 4 - 20 bit 44.1/48 kHz 1
MY8-AD24 ANALOG IN 8 - - 24 bit 44.1/48 kHz 1  
Y96K Effect & I/O 8 8 ADAT 24 bit 44.1/48 kHz 1 Can handle 24 bit/96 kHz by double channel mode
BUS1-8, AUX1-8, SOLO). See the user’s manual for further information.
• Details depend on each interface card.

01V96V Rear panel

larger size

01V96V2 dimensions

larger size

Yamaha Musica Italia Tel: 39-02-93577-1
Yamaha Corporation of America Tel: 1-714-522-9011, Tel: 1-616-940-4900
Yamaha Canada Music Tel: 1-416-298-1311
Yamaha de Mexico Tel: 52-5-686-0033
Yamaha Musical de Venezuela Tel: 58-2-959-1603
Yamaha Europa Tel: 49-4101-3030
Yamaha Music Nederland Tel: 31-30-2828411
Yamaha Musicsoft Europe Tel: 44-181-987-9485
Yamaha Musique France Tel: 33-1-6461-4000
Yamaha Scandinavia Tel: 46-31-893400
Yamaha Denmark Tel: 45-44-92-49-00
Yamaha Norway Tel: 47-6716-7770
Siam Music Yamaha TEL: 66-2-641-2951
Yamaha Music (Malaysia) TEL: 60-3-7030900

advanced technologic sound magazine
2004 september issue 129

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