portable USB audio/MIDI interface eur 209 Features: 24/96 audio resolution, phantom-powered XLR mic input, and built-in effects including a COSM tube MIC preamp simulator for fattening up your tracks. * USB audio interface with up to 24-bit/96kHz resolution * 14 types of powerful, easy-to-use onboard effects, including COSM tube mic-preamp simulator * XLR input with phantom power, Hi-Z guitar/dynamic mic input * USB bus powered, no AC adapter required * MIDI I/O with FPT (Fast Processing Technology) for fast, stable performance * Supports WDM, ASIO 2.0, and Mac OS X Core Audio * Cakewalk SONAR LE and Edirol Virtual Sound Canvas plug-in included (PC) * Dolby Digital or DTS 5.1 surround compatibility via S/PDIF output (Windows XP) UA-4FX receives its power via USB, which means no AC adapter is required. Cross-Platform Compatibility For both Mac and PC users: the UA-4FX is cross-platform compatible. It supports WDM, ASIO 2.0, and Mac OS X Core Audio formats. PC users: Edirol ships the UA-4FX with a complimentary copy of Cakewalk’s SONAR LE multi-track recording software as well as Edirol’s Virtual Sound Canvas plug-in. Specifications: Number of Audio Record/Playback Channels Record:1 pair of stereo Playback:1 pair of stereo Full duplex (Except 96 kHz) Signal Processing PC Interface24 bits AD/DA Conversion24 bits (linear) Internal Processing32 bits (Effect processing) Sampling Frequency Digital Output44.1/48/96 kHz Digital Input44.1/48/96 kHz AD/DA Conversion44.1/48/96 kHz * ADVANCE SWITCH = OFF: 44.1 kHz only Frequency Response 96.0 kHz20 Hz to 40 kHz (+1 dB/-2 dB) 48.0 kHz20 Hz to 22 kHz (+1 dB/-1 dB) 44.1 kHz20 Hz to 20 kHz (+1 dB/-1 dB) Nominal Input Level Line Input Jacks-10 dBu MIC Input Jack (XLR)-45 to -12 dBu MIC Input Jack (except XLR)-45 dBu GUITAR Input Jack-30 dBu Nominal Output Level Line Output Jacks-10 dBu Residual Noise Level (input terminated with 1 k ohms, MAIN VOLUME: 0 dB, Monitor: OFF, IHF-A typ.) -105 dBu or less (SN ratio: 108 dB, typ.) Interface USB Digital Input/Output Optical type conforms to IEC60958 consumer format: PCM/AC3 Effects 1. Mastering Noise Suppressor/Enhancer/Multi-band Compressor-Limiter 2. Listening Center Cancel/High Boost/Low Boost/Reverb 3. Performance Voice-change/Amp-Simulator and Distortion/Chorus/Delay 4. Tube-amp simulator Tube-Amp-Simulator/Multi-band Compressor-Limiter Connectors Line Input Jacks (L, R) (RCA phono type) MIC Input Jack (XLR type, balanced, phantom power +48 V) MIC Input Jack (Miniature phone type, plug-in powered) GUITAR/MIC Input Jack (1/4 inch phone type) Line Output Jacks (L, R) (RCA phono type) Headphones Jack (Stereo 1/4 inch phone type) Digital Input Connector (Optical type) Digital Output Connector (Optical type) MIDI Connectors (IN/OUT) USB Connector (USB Type B) Power Supply Supplied from the computer Current Draw 360 mA Accessories: Owner's Manual Advanced Operation Manual USB cable Driver CD-ROM SONAR LE CD-ROM System Requirements: Windows OS: Microsoft® Windows® XP Home/XP Professional/Me/2000 Professional/98SE Computer: Windows compatible computer equipped with a USB 1.1 port CPU/Clock: Pentium®, Celeron® or Pentium compatible processors / 600MHz or higher Memory: 120MB or more Hard disk: 120MB or more of free space Macintosh OS: Mac OS X v10.2.3 or later, Mac OS 9 * Mac OS X Classic Mode is not applicable. Computer: Apple Macintosh series with on-board USB 1.1 port CPU/Clock: PowerPC G3/600MHz or higher * PowerPC G4 or higher is recommended. Memory: (RAM) 256MB or more Hard disk: 120MB Software: OMS 2.3.5 or later, FreeMIDI 1.35 or later (Mac OS 9) Size and Weight Width 171 mm 6-3/4 inches Depth 127 mm 5 inches Height 44 mm 1-3/4 inches Weight 0.3 kg 0 lbs. 12 oz. *Compatible with USB 2.0 compatible port. Work as a USB 1.1 device without changing the specifications and performance.* Supports 5.1channel surround output through S/P DIF port (Dolby DIGITAL and DTS 5.1 channel) ONLY when using the UA-4FX on Windows XP. Intervideo’s WinDVD Version 5 or later is required (sold separately) for playing 5.1channel surround sound. |
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advanced technologic sound magazine 2006 May issue 149
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